Search Results: 12 found, Filter: Label, Holidays Records
Konstrukt / Peter Brotzmann / Hüseyin Ertunç / Doğan Doğusel / Barlas Tan Özemek / Eklisia Sunday / Vinyl LP / Holidays Records
Eklisia Sunday was recorded live in front of a small audience on May 15th, 2011 at Eklisia - an old chapel built in the 17th century in Gümüşlük, a small village near Bodrum. This improvisation features the Konstrukt collective - which is Korhan Futacı (tenor & soprano saxophones), Umut Çağlar (electric guitar), Özün Usta (double bass, djembe, gong, bells), Korhan Argüden (drums) - incredibly enriched by the presence of Peter Brötzmann (on tenor), Hüseyin Ertunç (acoustic piano, küstüfon, gong), Doğan Doğusel (double bass, küstüfon) and Barlas Tan Özemek (electric guitar). The result of the combination is simply marvelous, because Brötzmann's unique phrases perfectly match with the sound of what confirms to be a well-coordinated collective. "The Turkish free jazz outfit Konstrukt might be considered the most evolved improvisational band working in jazz today. Founded, not in the hotbeds of jazz, London, New York, Chicago, Wuppertal or Krakow, their isolation is the key to their success. Well, isolation and observation." -- Mark Corroto, All About Jazz. Edition of 350."
At the beginning, Hystérie off Music was conceived as a catalogue record, an open field where the author could play with all musical genres and their stereotypes, but then evolved rapidly into an uncompromising clash of field recordings, sampled instruments and Tazartès' incomparable vocal eclecticism, made of emotional psalms and shamanic hymns. The Encyclopédie of genres turns into a childish - and sometimes scary - play and the song titles mislead the listener introducing him to a completely new classification. Recorded in early 2000s and released on CD in 2007 by the French label Jardin au Fou, it's now available in a remastered vinyl version - with an excellent cut made by SST in Frankfurt - for the best listening experience of this cinematic electronic collage. A true movie for the ear. Released on Holidays Records in a limited edition of 350 copies on black vinyl.
Hartmut Geerken And Hartmut Geerken And His Rock And Free Jazz Group Kabul (Featuring John Tchicai) / Insistency! / Vinyl LP / Holidays Records
Third - and sadly last - chapter of the archival recordings fixed on tape by Hartmut Geerken during his stay in Kabul in the Seventies. Insistency! was recorded at the Goethe Institut of Kabul on same day of the duo session of Hyndukush Serenade - May 22, 1977 - but sees also Maqsud Schukurwali and Ghafur Rasul - members of the Free Jazz Group Kabul - joining Geerken and Tchicai and playing an insistent anthem, featuring also an eight year old Olaf Geerken at congas. On side B, the music gets quieter and Tchicai finds the perfect moment to release his yelled, ecstatic chant - slowly turning into a hypnotizing song. 250 copies on black vinyl!
"Lettera 22 is the duo of Matteo Castro and Riccardo Mazza, two main characters in the Italian noise and experimental scene, building incredible collages of field recordings and abused dynamics. The lucky few who attended their live set at the Dome in London for the Broken Flag 30th Anniversary - where they caused a speaker stack to fall over, almost setting fire to it - saw their potential unleashed and knows what we mean by saying that they have an incredible control of the multi-layered texture they produce. Physical Point is a perfect demonstration of this skill, where the pair builds up a simmering tension made of captured sounds and hissing tapes, keeping a grip on it with the cold blood of a snake charmer. Edition of 200 copies." -Holidays."
Maurizio Abate / Live From The Border / 12" Vinyl / Holidays Records / HOL 052"
Jo Thomas / Mermaids / Vinyl LP / Holidays Records / HOL061
Gianni Giublena Rosacroce / Musica Da Camera Oscura / Vinyl LP / Holidays Records / HOL-080
"Henning Christiansen (Copenhagen, 1932 - Isle of Møn, 2008) was a Danish composer and an active member of the Fluxus movement. He studied at the Royal Conservatory of Music in Copenhagen and at the more liberal Ex-School (Eks-Skolen), embracing its radical approach in study and creation of art and developing into his own musical thinking. In 1962, he attended the George Maciunass International Festspiele Neuster Musik in Wiesbaden, where he probably experienced an epiphany that caused a significant shift in his artistic practice and musical composition. Musik Essayistik is the combined reissue of twin releases Fluxid (1983) and Fluxyl (1984) - two of the most obscure and enigmatic records in Christiansens discography - previously issued separately by Borgen Records in Denmark. Four minimal pieces exploring the clash between instrumental composition-improvisation and pre-recorded real sounds. Embossed green ear on front cover; Edition of 300." - Holidays."
Holiday Records present a reissue of Hüseyin Ertunç Trio's Mûsikî, originally released in 1974 on Intex Records. This cosmic free jazz improvisation by this legendary trio guided by Hüseyin Ertunç - on drums - with his then-regular partners Michael Cosmic and Phil Musra - on saxophones and additional percussion - reveals the primitive and physical approach of the trio, with Ertunç's massive cymbals drumming building a carpet of trance-driving vibe where the reeds can freely dance without any structure. "A new world of improvisational freedom opened up for me when I first heard drummer Huseyin Ertunç's 1974 LP Mûsikî, with reedmen/multi-instrumentalists/brothers Phil Musra and Michael Cosmic. Ertunç returned to his native Turkey about twenty years ago (and performs with the Konstrukt collective), but Musra - this tune's composer - now resides in Los Angeles and, as regular readers of this blog know, is still active in music. Although I initially assumed that Mûsikî and Musra's companion LP The Creator Spaces (1974) were recorded at the same session, in truth Mûsikî was recorded months earlier. The Creator Spaces is a bit more spacious than Ertunç's date, though both are quite intense documents of self-produced and spiritually-directed improvisation. Knotty and weird, there's a folksy unhinged-ness that really spoke to me in a way quite different from Albert Ayler, the Association for the Advancement of Creative Musicians, and other music I was spending time with when I dropped the needle on the trio's debut album. Ertunç's percussion work really shocked me and it's still absolutely fascinating, and Cosmic's organ playing behind/around Musra's tenor is just something else." -- Clifford Allen. Edition of 400."
Fantastic sound poetry piece by Hartmut Geerken restringing the Sun Harp, the Ukranian bandura that Sun Ra gave him in 1971 when he visited Egypt for the first time. The acoustics of his manual workings emerge without any esthetic intention: the bandura's voluminous resonating body forms the reverb of the room. Each manual action and each contact of the tuning key with the wooden body is 'reverbed'. The instrument creates its audio space. A mythic dream play is evoked: the myth's space of reverb. An ear ready to absorb, hears the labor pains of voice and string ahead of language and music. A human voice in search for language and thus for communication. A string instrument in search for sound and thus for music. Based on this phonemic pre-space, words do rise only sporadically. Through certain techniques of vocal chords the phonemes move close to the meditative Indian Dhrupad-singing, as well as to lunacy and disturbance. Animal languages, signals, shepherds' calls, silvered drum-language, hamboning, calls, litany, subconscious voicings, sirens: the search for Eurydike and the search for the origin of letter and syllable, out of the breath. Besides one single 'superimposition' no further mounting, no computer-generated sounds, no digital gimmicks, no remix or art mix do exist in this live-recorded dream play. pressing info: 200 copies on black
Les Conversions / Snowwhite / Vinyl LP / Holidays Records / HOL 059
Arrigo Lora-Totino (Torino, 1928) is considered one of the fathers of Italian sound poetry. He's mostly known for having curated the anthology "Futura: Poesia Sonora" (Cramps Records, 1978), where he collected the voices of the most interesting sound poets of the twentieth century, but also for being a key figure in the Italian experimental poetry. Active since the late Sixties, he gave more than 200 performances of “Gymnastic Poetry” and “Liquid Poetry” (using the Idromegaphone, a tool invented on purpose to let the voice sound through water) and a series of mimic declamations of avant-garde texts, from Futurism to Dadaism, Russian ‘Zaum, Expressionism, Surrealism, Lettrisme and Concretism. This sound poem in six movements - performed as a vocal trio together with Sergio Cena and Laura Santiano - was recorded in 1976 in Torino at Studio di Informazione Estetica (S.I.E.) and is considered by the author himself one of his most important works. First volume in a series of sound poetry releases coordinated by Luca Garino, comes in a deluxe edition with the complete reproduction of the handwritten original scores. Pressing info: 250 copies on black, embossed lettering"