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Search Results: 3 found, Filter: Artist, Matthew P Hopkins

Matthew P Hopkins, Matthew Hopkins / Blue Lit Half Breath / Vinyl LP / Penultimate Press / PP22
Matthew P. Hopkins second full length release for Penultimate Press presents a curious and compelling listen which harnesses his deeply personal and paranoid vision into the ultimate beauty/horror object. Over the last decade Hopkins has distinguished himself as master of multiple musical forms including bent song, freeform concrete, improvised electronics and techno. Under his own name he has produced a most singular take on abstracted voice, feedback, field recordings and found sounds. With Blue-Lit Half Breath Hopkins furthers his domestic enquiry into subconscious sounds with a series of vignettes that hover from hissing clunk, atmospheric creep to improvised piano refrains. Amongst all this the voice of Hopkins appears throughout as a shadowy narrator delightfully disturbing the sonic play. Blue-Lit Half Breath is a late night oil burning masterpiece which resides within a zone orbiting it’s own logic.
Matthew P Hopkins / Calls / Cassette / Thalamos / THLMS09
"CALLS presents 11 improvised pieces recorded on a reel-to-reel machine throughout 2015 and 2016. Employing a mixed bag of source material and a half drafted vocal approach, these 11 tracks explore the notion of ‘contact calls’, which are irregular, non-specific sounds many social animals make to maintain contact within a group. The group in this instance includes more than just other members; an expanded cast of objects, figures, nature, and works of art act as the recipients of these calls. There is some sort of dialogue between myself as the caller, and this conglomerate of recipients, but it is not normal talking. I’m not asking questions, responding to requests, or reacting through sound in any way – just simply keeping in contact". Matthew P. Hopkins, August 2016"
Matthew P Hopkins / W's / 7" Vinyl / Albert's Basement / AB69"
Previous Sydney-sider, now Melbourne based artist Matthew P. Hopkins has worked as part of a number of groups over the last 10 years including Naked On The Vague, Vincent Over The Sink, Hochman & Hopkins, Four Door, and more recently Half High, and in duo mode with Tim Coster. In recent years Hopkins’ attention has become increasingly focussed on solo output that explores the realms of musique concrete, electro-acoustic composition, ambient music, sound poetry, noise, and nonsense, with releases on Penultimate Press (UK), Vittelli Records (UK), Canti Magnetici (IT), and Horizon Pages (AU). This 7″ release, ‘W’s’, his first solo single and debut on Albert’s Basement, is inviting and pleasing in parts, with just a hint of menace; a playful presage if you will. A slow moving (is it?) interlude to your day. Repetitious, slightly psychological synthesiser pings and waves suggest waiting (for who, or what?). Half whispers and bits of questions arise, but nothing coherent is voiced. Objects within reach on the desk are aimlessly shuffled, tapped, and slowly slid. Is that someone at the door? Probably not.